The development of my textual designs and models was created by analyzing the weights of the Yemenite Jewish tradition in its various expressions: the rhythm of prayer, music, poetry, dance, embroidery, the Yemenite organ work and the form of clothing that were discovered as a unique design language.

I decided to study in depth my cultural roots, Yemenite Judaism. I questioned what are the foundations and components of that culture and how these elements affect the design material culture?

The spiritual culture is the cornerstone of the unique design language of the Yemenite Jews. It is interesting to see how these works are directly affected by this institutionalization.

The importance of the arts is measured by rhythm, repetition, variability and restraint. For example, a triangle symbolizes an important Kabbalistic perception in Judaism. The same concept can be seen in Christianity and Islam as these symbols come in similar thinking as the basis of the cosmic structure.

There is a principle of high importance of repetitive motif in the design of Yemenite Jews, as the motifs are repeated and fill larger areas, the jewel / embroidery is considered more dignified, a sense of continuity of the small details that creates the whole.

The symmetry principle of these motifs and motif groups is visually and directly visible from the cultural and design value of Yemenite Jews.